Cruisers & cargo ships

In Amsterdam’s busiest shopping street is a big wooden door that opens into a corridor which leads into a church. Few shoppers notice the door, let alone pass it. But the transition is wonderful: you go from a crowded street, a cacophony, into the silence of a church, and leave the shopping street behind, if only for a moment.

To me the Northbund in Shanghai is similar, in that it lets you escape the city for a while. Behind the running path is a park from which you descend the stairs to the dock. There’s the mumbling of people as they take selfies of the Pudong skyscrapers, and the whistle of a police officer when somebody steps onto the grass. But most audible are the diesel engines of the cargo and cruise ships on the Huangpu river, which produce a soft droning sound that drowns out all the rest.

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The Path and Meaning

The Path and Meaning

“We walk down the path in Xikeng.” Three years ago, I started a note with that sentence. We visited a row of villages in the south of Zhejiang, and Xikeng (西坑) was at the end of the day — the least touristified town of them all. The village had dozens of old buildings, sliced by […]
February 4, 2026
Kunshan Diorama

Kunshan Diorama

Today, I’m visiting Zhengyi Old Street (正仪老街) in Kunshan — a city wedged in between Suzhou and Shanghai. This old street is a leftover slice in between other parts properly planned by the city. On the horizon, I can see construction cranes, as if they are threatening the area; ‘we are coming to you next’. […]
January 17, 2026
Hyperreality

Hyperreality

It’s 06:30 in the morning and I’m driving to the San Gabriel Mountains, north of Los Angeles. I’ve been trying to sleep after an exhausting week at CES, but I’m too excited for this hike and can’t wait to depart the Airbnb we’re in. Every visit to the United States is an adventure. The most […]
January 15, 2026
In Praise Of Writing (And the Case Against AI)

In Praise Of Writing (And the Case Against AI)

If George Orwell, one of the best essayists, were alive today, he’d be firmly against AI. Not because of 1984 or ‘Big Brother’, but because in ‘Why I Write’, he listed four motives for writing; Historical impulse Political purpose Aesthetic enthusiasm Egoism   Neither of these motives survives if you let AI do the writing […]
January 14, 2026